If the low-end sounds unnatural, you have probably carved out all of the essential mid-range, making the high-end seem too loud. But once you solo the track, you find that it seriously lacks low end, the midrange is off and honky, and if you try to remove these problems with an EQ surgically, you find that other problems arise suddenly. But as you move through your session, you feel like the kick doesn’t have a well-defined low end, so you try to carve the low end a bit more, and now it sounds as if there is not enough low end! Or let’s say you have a stereo recording of an acoustic guitar.Īn acoustic guitar in stereo should sound full, wide, and have depth to it. Ok, you boost a hefty 6 or 7 dB of 60 Hz to address the low end and add a compressor to add more punch.
This is the only segment containing some basic theory and laws of physics, so bear with me it’ll be brief, I promise! Since this is a topic usually filled with a lot of scientific jargon and snobbery from audio nerds, you might have been put off the idea of exploring it, but fear not! By the end of this article, you comprehend this concept better and get some practical advice from real-life situations without too much acoustics theory getting in the way. Can you still make a good sounding mix even with some minor phase problems?.How much time should you invest before being able to identify phase problems by ear?.Can you fix a phase problem with an EQ or compression?.How do you manage more than two sound sources in terms of phase coherency?.Can stereo wideners cause phase problems?.Besides learning how to hear phase issues, are there any other ways to spot those problems?.
Don't Create Phase Problems In The First Place.How Do I Know If I Have a Phase Problem?.
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